/ˌɛm.brɪ.oʊˈlɒdʒɪk/ occupied overlooked spaces, intertwining historical and modern infrastrucural overlays, creating a symbiotic relationship between the works and the building’s solar-powered systems. The installation mirrored the wiring, tubing, and frameworks, drawing energy from the host like a parasite.
The screens, embedded within rafters, ducts, and stairwells, acted as portals to external vitality and virtuality.
Forrest Beasley-Birch acknowledges the Traditional Owners and Custodians of the land on which he works, the Boon Wurrung peoples of the Kulin Nation. He pays respects to their Elders past, present, and emerging.