/ˌɛm.brɪ.oʊˈlɒdʒɪk/



2024 Graduate Exhibition,           Victorian College of the Arts, Bachelor of Fine Arts (Honours)          

The installation comprised twelve screens, each displaying technogenic infusions of machine-led imagery. These filmic works were embedded parasitically within The Stables infrastructure, inhabiting the exposed hardware like an invasive presence.        

Composed of still and moving images captured through terrestrial LiDAR scanners, they were reconstituted into GAN-generated sequences bred from the same data. The machinic eye led the mechanic mind, and vice versa, creating a recursive interplay between technology and ecology.



ˌɛm – “em,” with a slight emphasis.
brɪ – “bri,” as in “bring.”
oʊ – “oh,” a long “o” sound.
ˈlɒdʒ – “loj,” with a short “o” like in “lot,” and emphasis on this syllable.
ɪk – “ik,” as in “pick.”

 
   
Forrest Beasley-Birch acknowledges the Traditional Owners and Custodians of the land on which he works, the Boon Wurrung peoples of the Kulin Nation. He pays respects to their Elders past, present, and emerging.





































     
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